The dueling political ethics of King Lear and Anthony and Cleopatra two entirely different political worlds and ecomonies of salvation essays

The dueling political ethics of King Lear and Anthony and Cleopatra two entirely different political worlds and ecomonies of salvation essays "Blow winds, blow/ Blow winds and crack your cheeks," cries King Lear in the infamous storm scene that defines the central image of the play, namely the King's madness and utter debasement in the nakedness of the early pre-Christian British wilderness. (3.2) "Where's my serpent of old Nile," intones Cleopatra as she reclines, envisioning her absent Anthony speaking to her in pre-Christian Egypt. (1.5) Lear summons a cruel storm that matches his desperate mood. Cleopatra summons in her mind the vision of Anthony to pass the time while she waits for his return, reclining in When considering these two images visually, one may be at first surprised that they spring from the mind of the same playwright. The cold and harsh world of Lear seems to be strikingly different from the Egypt of Cleopatra. The play "King Lear" depicts a rich monarchy at its onset, which is slowly and cruelly stripped bare after Lear's poor leadership in his dotage leaves his kingdom over to his daughters Regan and Goneril and their husbands. In contrast, "Anthony and Cleopatra" is structured in a series of contrasts. For every scene of a regal and cool republican Rome, a more sensuous, less ordered Egypt appears, demonstrating the two worlds that tear apart the soul of Anthony. As Lear is eventually stripped bear of his kingship, his clothing, his shelter, and finally his sanity and the only child that actually loves him, so Anthony is undone over the course of his own play. But Lear is undone in a linear fashion, every scene he is present in, he loses something new. Anthony's downfall seems to be programmed from the start, given his two contrasting lives. The only similarity between the two worlds of "King Lear" and "Anthony and Cleopatra" seems to be in Lear and Cleopatra's imaginative capacity to, respectively, create a storm in the mind that becomes reality, and to ...

Marie Zakrzewska - Early Woman Medical Doctor

Marie Zakrzewska - Early Woman Medical Doctor Marie Zakrzewska Facts Known for:  established the New England Hospital for Women and Children; worked with Elizabeth Blackwell and Emily BlackwellOccupation:  physicianDates:  September 6, 1829 – May 12, 1902Also known as: Dr. Zak, Dr. Marie E. Zakrzewska, Marie Elizabeth Zakrzewska Background, Family: Mother: Caroline Fredericke Wilhelmina Urban: trained as a midwife, her mother was a veterinary surgeonFather: Ludwig Martin ZakrzewskaSiblings: Marie Zakrzewska was the eldest of six siblings Education: Berlin School for Midwives – enrolled 1849, graduated 1852Western Reserve College medical school, M.D. in 1856 Marie Zakrzewska Biography: Marie Zakrzewska was born in Germany to a family of Polish background. Her father had taken a government position in Berlin.   Marie at age 15 cared for her aunt and great-aunt.   In 1849, following her mother’s profession, she trained as a midwife at the Berlin School for Midwives at the Royal Charite Hospital.   There, she excelled, and on graduation earned a post at the school as head midwife and professor in 1852. Her appointment was opposed by many at the school, because she was a woman.   Marie left after just six months and, with a sister, moved to New York in March 1853. New York There, she lived in the German community doing piecework sewing.   Her mother and two other sisters followed Marie and her sister to America. Zakrzewska became interested in other women’s rights issue and in abolition.   William Lloyd Garrison and Wendell Phillips were friends, as were some refugees from Germany’s 1848 social upheaval. Zakrzewska met Elizabeth Blackwell in New York.   On finding out her background, Blackwell helped Zakrzewska get into Western Reserve’s medical training program. Zakrzewska graduated in 1856.   The school had admitted women into their medical program starting in 1857; the year Zakrzewska graduated, the school stopped admitting women. Dr. Zakrzewska went to New York as a resident physician, helping establish the New York Infirmary for Women and Children with Elizabeth Blackwell and her sister Emily Blackwell.   She also served as the instructor of nursing students, opened her own private practice, and at the same time served as the housekeeper for the Infirmary.   She became known to patients and staff as simply Dr. Zak. Boston When New England Female Medical College opened in Boston, Zakrzewska left New York for an appointment at the new college as professor of obstetrics.   In 1861, Zakrzewska helped to found the New England Hospital for Women and Children, staffed by women medical professionals, the second such institution, the first being the New York hospital founded by the Blackwell sisters. She was involved with the hospital until her retirement.   She worked for a time as the resident physician and also served as head nurse. She also served in administrative positions.   Through her years of association with the hospital, she also maintained a private practice. In 1872, Zakrzewska founded a nursing school associated with the hospital.   A noted graduate was Mary Eliza Mahoney, the first African American to work as a professional trained nurse in the United States. She graduated from the school in 1879. Zakrzewska shared her home with Julia Sprague, in what might have been, to use a term not used until later years, a lesbian partnership; the two shared a bedroom.   The home was also shared with Karl Heinzen and his wife and child. Heinzen was a German immigrant with political ties to radical movements. Zakrzewska retired from the hospital and her medical practice in 1899, and died May 12, 1902.